Although Alfred Hitchcock's filmography is made up of countless fascinating pieces, these are among the best
Born in London, Alfred Joseph Hitchcock was a film director, producer and screenwriter who, for more than six decades, managed to establish a unique cinematographic style. Like few in his category, the filmmaker's dedication knew no limits. Therefore, the FBI investigated him because of one of his films. Currently, it is considered a pioneer in the use of some of the techniques that distinguish the suspense genre and the psychological thriller.
In addition to imitating the look of a person using a camera, his productions abound with frames, in this way, the viewer is forced to participate, while facing a film montage capable of arousing fear, anxiety and even empathy.
Throughout his impeccable career, he directed around fifty films and earned recognition as the “Master of Suspense.” Although all his works deserve a space on the list, we are left with the productions that made him one of the most influential artists in the world of cinemaand that resist the passage of time.
Castaways (1944)
Unquestionably, one of Hitchcock's most ambitious productions. Survival and intrigue are intertwined in a film that breaks the traditional schemes of war films, because although it is set during the Second World War, the setting limits the action to a lifeboat that is adrift in the middle. sea.
The latent tension increases when The crew discovers that a German spy is among them.so they must decide whether to sacrifice him or not. Although it is a low-profile project, it has enough tensions and crises to keep the audience on the edge of their seats. Character development is its strong point, as is its amazing visual details.
See Castaways
With Death on His Heels (1959)
Cary Grant's talent is felt in a production that served as the basis for the best spy productions that have been made to date, including the renowned franchise. James Bond.
The plot revolves around Roger O. Thornhill, an advertising executive who ends up involved in a spy conspiracyafter being mistaken for a government agent. After being kidnapped, he is taken to a mansion where he is interrogated by spies. Although he manages to escape before they kill him, the man goes to the police and returns to the place, without suspecting the surprise that awaits him.
Rebecca (1940)
Laurence Olivier played Maxim De Winter, an English aristocratic widower who falls in love with a humble young lady-in-waiting. After marrying, they both return to England to occupy Maxim's habitual residence. However, the new Mrs. De Winter discovers that every corner of the mansion has Rebeca's memory tattooed on it.
This production was awarded the Oscar Award in the Best Film categorysomething logical considering the unusual love story presented in this adaptation of the novel of the same name, published by Daphne du Maurier in 1938.
See Rebecca
The Rope (1948)
James Stewart and John Dall were in charge of starring in what is summarized in a formal and bold experiment by Hitchcock. The reason for this is that it was filmed in such a way that it simulates a continuous shot, a little explored technique.
Unlike other productions by the director, the compelling and disturbing argument of The rope awakens the feeling of empathy with the murderers, through a type of entertainment that is provocative and perverse at the same time. Regarding the story, it follows a teacher who is suspicious about the involvement of two former students in a murder.
See The rope
Psycho (1960)
For just over 40 minutes, the film starring Anthony Perkins and Janet Leigh managed to scare countless spectatorswithout showing anything, since it belongs to the list of chilling films where we never see the monster, and they leave everything to the imagination.
The false clue about the identity of the murderer increases the impact before a completely unexpected plot twist. But the most terrifying thing is that Norman Bates seems to be a calm, modest person who feels real love for his mother, hence few expect his participation in a crime.
See Psycho
Rear Window (1954)
James Stewart and Grace Kelly were the stars of a masterpiece of voyeurism. The level of suspense and intrigue surpasses the emotions offered by the modern slasher. rear window It is considered an intense and exciting exercise, which reflects how dangerous it can be to follow the impulses generated by curiosity.
The story follows a photojournalist forced to rest due to a cast on his leg. Although he is accompanied by his girlfriend and a nurse, he uses binoculars to observe what is happening on the opposite floor from his window, without suspecting that he is about to witness what appears to be a murder.
See Rear Window
Vertigo (From the Dead) (1958)
Listed as one of the best psychological thriller films, combines drama and intrigue in equal parts. Scottie Ferguson is a detective who suffers from vertigo, so when his partner loses his life after falling off a ledge during a chase, he decides to retire. However, he is hired for a seemingly simple case, monitoring the wife of an old friend, who has an unhealthy obsession with her past.
In Vertigo Hitchcock demonstrates the importance of creating a complex emotional arcwithout implying the creation of a product impossible for the viewer to consume.
See Vertigo
Definitely, Hitchcock left a legacy that cannot be erased. The plot twists, the disturbing plots, the impressive outcomes and the high doses of violence and intrigue, served to orchestrate unique works where we forget about the environment, and remain immersed in the stories that appear on screens. Without a doubt, an industry visionary who deserves to be recognized as a cultural icon.
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