The director confessed that his masterpiece The Shining was nothing more than “child's play” compared to this film
There are films that leave a indelible mark on the big screen and are capable of change a gender forever film. One of them, without a doubt, is The Shining (1988). The Stanley Kubrick's masterpiece captured Stephen King's story in the most brilliant way, building a unique atmosphere of psychological horror and leaving some of the most remembered scenes of the seventh art.
The most remembered film of Jack Nicholsonwho may have starred in The Godfather a few years earlier, and Shelley Duvall has given us a lot to talk about over the years, becoming a fundamental pillar for many directors who later soaked up its influence to create their own horror stories.
With this, Stanley Kubrick managed to proclaim himself the king of psychological horror in those years, so anyone would think that the director would not hesitate for a second to proclaim The Shining as the most terrifying title he had ever seen. However, Kubrick confessed to having been impressed by another film which he considered the most disturbing film that had been done.
The director confessed that his masterpiece The Shining was nothing more than “child's play” compared to this film
Usually when you think of horror moviesautomatically our memories take us to bloody scenes loaded with violence of slashers like Scream (1996) or A Nightmare on Elm Street (1984). However, the truth is that It is not necessary to resort to these resources to sow the seed of panic in the viewer and proof of this is Missing (1988). You can currently watch this movie on Filmin.
See Missing on Filmin
Missing (Spoorloos) is a Dutch film directed by George Sluizer which focuses on the theme of kidnapping and obsession after loss. The plot tells the story of a young couple, Rex (Gene Bervoets) and Saskia (Johanna ter Steege)who are traveling in France and decide to stop to refuel.
Behind this, Saskia enters the gas station and disappears forever, leaving a huge void in Rex that he will never overcome and will end up consuming him. Unlike Rex, viewers do know who the kidnapper isgiven that Sluizer No want to play with the suspense of the public, if not with the agonizing desperation of the protagonist who still doesn't understand what happened to his girlfriend.
The murderous psychopath is called Raymond and he is the father of a happy family, which makes the figure of the villain even more disturbing. Raymond commit atrocities for pleasure while leading a double life and showing a different face to his wife and children. During the film the scenes are mixed in which we see Rex's frustration and Raymond's frivolity at the same time, which generates a feeling of constant discomfort.
Kubrick contacted Sluizer directly to convey his congratulations and convey his admiration for the film, and that is The film has a very shocking ending unbecoming of the genre that manages to perfectly close an unrepeatable macabre story.
The reality is that, being an independent title, never reached global attention that it deserved and no English-speaking distributor decided to take a chance on it. However, Kubrick's worda director obsessed with details and meanings, put one of the most underrated criminal horror films in the place it deserved of the history of cinema.
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