We've seen King recommend many feature films in the genre, but this one takes the gold medal
Stephen King is a milestone in horror literature, but it also ended up being a endless source of inspirations that have been made into films and, some, have achieved great success. From his first book titled Carrie (1974), King has not stopped creating mysterious and terrifying universes that have been captured on the big screen.
The Shining (1980) by Stanley Kubrickwhich changed the ending, or It (1990), directed by Tommy Lee Wallacehave been two great examples of Stephen King's contributions in the film genre. For this reason, the author has always been an accredited person when it comes to evaluating horror films and has not skimped on comments about them.
For King, real terror is immersed in oneself, so it is not necessary to create a million-dollar production to generate panic in viewers. In fact, according to the writer's words in Article published in Entertainment Weekly and titled “Why Hollywood can't make horror”, films with a lower budget almost always achieve a greater impact.
Following this logic, King brings up the name of another of the pillars of horror cinema, George A. Romero. Specifically, it refers to his best-known work, Night of the Living Dead (1968). With this, the director managed to change the genre forever and build the fundamental pillars on which many filmmakers were later based. You can currently watch Night of the Living Dead on Amazon Prime.
Watch Night of the Living Dead on Amazon Prime
We've seen King recommend many feature films in the genre, but this one takes the gold medal
Night of the Living Dead marked a before and after on the big screen, creating the modern zombie figure. The fact that Romero had a lower budget made it possible to project scenes full of realism, in which we do not see any movie star, but rather Everyday people escaping from the terrifying walking dead.
Stephen King chose the first scene of Night of the Living Dead as the scariest sequence in film history. Johnny (Russell Streiner) and his sister Barbara (Judith O'Dea) go to see his mother in the cemetery, when a tall, pale man attacks them. The stranger hits Johnny and Barbara runs away until she finds a nearby house. in which he manages to take refuge.
King defines the scene as a moment full of eerie simplicityin which two ordinary brothers are surprised by a creature they have never seen before. Romero did not need to hire a large cast to construct a terrifying sequence. The director's innovative way of filming added to the moment of its premierein which it could not be understood that a deceased would come back to life and haunt the living, turned the film into one of the most remembered horror classics of the history of cinema.
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